Sassetta (Stefano di Giovanni)
Madonna and Child with Angels, ca. 1445–50
Tempera on wood, gold ground
Overall, with shaped top and engaged (modern) frame, 31 3/4 x 19 3/4 in. (80.6 x 50.2 cm); painted surface 25 1/8 x 13 1/2 in. (63.8 x 34.3 cm)
Sassetta (Stefano di Giovanni)
Tempera on wood, gold ground
Overall, with shaped top and engaged (modern) frame, 31 3/4 x 19 3/4 in. (80.6 x 50.2 cm); painted surface 25 1/8 x 13 1/2 in. (63.8 x 34.3 cm)
Sassetta (Stefano di Giovanni)
Tempera on wood, gold ground
Overall, with shaped top and engaged (modern) frame, 31 3/4 x 19 3/4 in. (80.6 x 50.2 cm); painted surface 25 1/8 x 13 1/2 in. (63.8 x 34.3 cm)
Sassetta (Stefano di Giovanni)
ca. 1435
Tempera on wood, gold ground
Hans Memling
Early sixteenth century
Oil on oak panel
Osservanza Master
1435–40
Tempera on wood, gold ground
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Tempera on wood, gold ground
Paolo di Giovanni Fei
1370s
Tempera on wood, gold ground
Pietro di Domenico da Montepulciano
1420
Tempera on wood, gold ground
Lippo Memmi (Filippo di Memmo)
ca. 1350
Tempera on wood, gold ground
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)
ca. 1480–90
Oil on wood
Andrea del Verrocchio
ca. 1470
Tempera and gold on wood
Master of the Female Half-Lengths
ca. 1525–50
Oil on wood
Master of Saint Giles
ca. 1500
Oil and tempera (?) on paper laid down on oak panel
Segna di Buonaventura
ca. 1320
Tempera on wood, gold ground
Matteo di Giovanni di Bartolo
about 1476–80
Tempera on wood, gold ground
Spinello Aretino (Spinello di Luca Spinelli)
ca. 1395–1400
Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse)
Fra Filippo Lippi
ca. 1440
Tempera and gold on wood, transferred from wood
Jan van Eyck
ca. 1440–50
Oil on wood
Carlo Crivelli
1472
Tempera on wood, gold ground
Donato de' Bardi
ca. 1425–30
Tempera on wood, gold ground
Sassetta (Stefano di Giovanni)
ca. 1435
Tempera on wood, gold ground
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Tempera on wood, gold ground
Paolo di Giovanni Fei
1370s
Tempera on wood, gold ground
Lippo Memmi (Filippo di Memmo)
ca. 1350
Tempera on wood, gold ground
Master of the Female Half-Lengths
ca. 1525–50
Oil on wood
Segna di Buonaventura
ca. 1320
Tempera on wood, gold ground
Spinello Aretino (Spinello di Luca Spinelli)
ca. 1395–1400
Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse)
Jan van Eyck
ca. 1440–50
Oil on wood
Donato de' Bardi
ca. 1425–30
Tempera on wood, gold ground
Hans Memling
Early sixteenth century
Oil on oak panel
Osservanza Master
1435–40
Tempera on wood, gold ground
Pietro di Domenico da Montepulciano
1420
Tempera on wood, gold ground
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)
ca. 1480–90
Oil on wood
Andrea del Verrocchio
ca. 1470
Tempera and gold on wood
Master of Saint Giles
ca. 1500
Oil and tempera (?) on paper laid down on oak panel
Matteo di Giovanni di Bartolo
about 1476–80
Tempera on wood, gold ground
Fra Filippo Lippi
ca. 1440
Tempera and gold on wood, transferred from wood
Carlo Crivelli
1472
Tempera on wood, gold ground
Sassetta (Stefano di Giovanni)
ca. 1435
Tempera on wood, gold ground
Paolo di Giovanni Fei
1370s
Tempera on wood, gold ground
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)
ca. 1480–90
Oil on wood
Master of the Female Half-Lengths
ca. 1525–50
Oil on wood
Matteo di Giovanni di Bartolo
about 1476–80
Tempera on wood, gold ground
Jan van Eyck
ca. 1440–50
Oil on wood
Hans Memling
Early sixteenth century
Oil on oak panel
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Tempera on wood, gold ground
Lippo Memmi (Filippo di Memmo)
ca. 1350
Tempera on wood, gold ground
Segna di Buonaventura
ca. 1320
Tempera on wood, gold ground
Fra Filippo Lippi
ca. 1440
Tempera and gold on wood, transferred from wood
Donato de' Bardi
ca. 1425–30
Tempera on wood, gold ground
Osservanza Master
1435–40
Tempera on wood, gold ground
Pietro di Domenico da Montepulciano
1420
Tempera on wood, gold ground
Andrea del Verrocchio
ca. 1470
Tempera and gold on wood
Master of Saint Giles
ca. 1500
Oil and tempera (?) on paper laid down on oak panel
Spinello Aretino (Spinello di Luca Spinelli)
ca. 1395–1400
Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse)
Carlo Crivelli
1472
Tempera on wood, gold ground
Sassetta (Stefano di Giovanni)
ca. 1435
Tempera on wood, gold ground
Lippo Memmi (Filippo di Memmo)
ca. 1350
Tempera on wood, gold ground
Segna di Buonaventura
ca. 1320
Tempera on wood, gold ground
Donato de' Bardi
ca. 1425–30
Tempera on wood, gold ground
Hans Memling
Early sixteenth century
Oil on oak panel
Paolo di Giovanni Fei
1370s
Tempera on wood, gold ground
Andrea del Verrocchio
ca. 1470
Tempera and gold on wood
Matteo di Giovanni di Bartolo
about 1476–80
Tempera on wood, gold ground
Jan van Eyck
ca. 1440–50
Oil on wood
Osservanza Master
1435–40
Tempera on wood, gold ground
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)
ca. 1480–90
Oil on wood
Master of Saint Giles
ca. 1500
Oil and tempera (?) on paper laid down on oak panel
Fra Filippo Lippi
ca. 1440
Tempera and gold on wood, transferred from wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Tempera on wood, gold ground
Pietro di Domenico da Montepulciano
1420
Tempera on wood, gold ground
Master of the Female Half-Lengths
ca. 1525–50
Oil on wood
Spinello Aretino (Spinello di Luca Spinelli)
ca. 1395–1400
Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse)
Carlo Crivelli
1472
Tempera on wood, gold ground